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Avatar Aang: The Last Airbender should be released in IMAX rather than on Paramount+ — the jaw-dropping animation is easily the best part of the hero's return | TechRadar

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Avatar Aang: The Last Airbender should be released in IMAX rather than on Paramount+ — the jaw-dropping animation is easily the best part of the hero's return | TechRadar
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Avatar Aang: The Last Airbender should be released in IMAX rather than on Paramount+ — the jaw-dropping animation is easily the best part of the hero's return | Tech Radar

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Avatar Aang: The Last Airbender should be released in IMAX rather than on Paramount+ — the jaw-dropping animation is easily the best part of the hero's return

Sometimes, a wide theatrical release is the better option

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All grown up, Aang and the gang are just as brilliantly bonkers as they were 20 years ago. But Avatar Aang: The Last Airbender is still such a missed opportunity, both narratively and theatrically.

+The gang back together rides the ultimate wave of nostalgia

The gang back together rides the ultimate wave of nostalgia

-Plenty of missed opportunities in how Paramount+ has chosen to release it

Plenty of missed opportunities in how Paramount+ has chosen to release it

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If a big studio movie gets leaked online in its high-quality entirety long before it's supposed to be released on a major streaming service, you know that the schedule and strategy for both have gone completely wrong.

Alas, this is exactly what happened to Avatar Aang: The Last Airbender back in April 2026, causing the release date to be brought forward by three months to July 25. On top of this, Paramount+ has relented to a dogged campaign by fans to get the new movie screened in theaters, compromising on a limited theatrical release in New York and LA between July 25 and 30.

In essence, Avatar Aang: The Last Airbender had been badly done by long before this review embargo had even lifted. Though the original cartoon had millennials in a chokehold in the early 2000s, Netflix has now swept in to control the public's perception of the IP with its continuing live-action series.

If you're of the same school of thought as me and find that the real-life Avatar: The Last Airbender is missing something, you've been yearning for the return of the animation. Now it's here... well, it feels like a misshapen birthday cake that's melting in the sun.

Between its abysmal release strategy and a storyline that's not under scratch, Aang's first return in two decades is a massively missed opportunity. But if you're prepared to put up with the issues, some nuggets of gold are still waiting to be found.

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I'm completely floored by Avatar Aang: The Last Airbender's animation — but that stings

Here's a brief rundown of what actually happens during the 99-minute runtime. Thirteen years following the defeat of Fire Lord Ozai and the end of the Hundred-Year War, Avatar Aang (Eric Nam) discovers a surviving airbender named Tagah (Dave Bautista) and learns of a powerful staff that could restore his culture. With the help of his friends, they embark on a global quest to find the relic before a group called The Denied can claim it and upend the peace they fought to achieve.

When hours upon hours of handcrafted artistry are poured into something we get to watch, it's as if magic is unfolding in front of our eyes. Unsurprisingly, the visuals are the strongest element of Avatar Aang: The Last Airbender, to the point where I'm still thinking about them days after watching.

The new movie's understanding of perspective, movement, and detail is absolutely astonishing, moving through the Four Nations with such awe-inspired wonder that you want to live in each frame, like a kid visiting Disney World for the first time.

But this comes with a bittersweet feeling: are we really getting the best out of these gorgeous details on an i Phone, tablet, or even a TV? To me, Avatar Aang: The Last Airbender is clearly a movie that needs to be seen and appreciated on the biggest screen possible, something which a streaming service can never truly allow for.

Hooray for accessibility, but Paramount has completely fudged the wider potential for its release. Why does the eventual theatrical release feel so unnecessarily limiting when demand for it feels sky-high? If you are one of the lucky few with tickets and the right geographical location, let me know if I'm right about this.

Avatar Aang: The Last Airbender's character reunion is the most special part of the new movie

In fact, the animation is so good that you almost sidestep the fact that the film's storyline is almost non-existent. Tagah might look like a character who is obviously voiced by a ripped muscle man like Bautista, but he offers very little in the way of new satisfaction.

For starters, he is discovered buried alive in ice — exactly like how Aang was at the start of the series — which feels far too on the nose. He encourages Aang's unquenchable first to learn (which is a beautiful, life-affirming reminder), but would the film otherwise be different if Tagah vanished? I doubt it.

But never mind! We're here for the reunion for the core team, bringing back the core team of Aang, Katara (Jessica Matten), Soukka (Román Zaragoza), Toph (Dionne Quan), and Zuko (Steven Yeun), who are 13 years older than when we last saw them.

Time may have changed how they look, but their goofy and fun-loving personalities definitely haven't. The animation is able to capture the level of confident silliness that Netflix's live-action series has always lacked, meaning that their well-worn-in camaraderie feels like sinking into a warm bath. What's more beautiful than forgetting your troubles in a fun, fantastical world like this?

Watching the group laugh, play, and discover new things almost overshadows everything that's gone wrong with Avatar Aang: The Last Airbender... almost. But when the storyline dips, you're quickly reminded of just how badly the creative teams have done by the older Aang's comeback.

Next time Avatar: The Last Airbender is revived, and it inevitably will be, let's let the fans be in control. They've got the biggest chance of getting the most right, after all.

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Jasmine is a Streaming Staff Writer for Tech Radar, previously writing for outlets including Radio Times, Yahoo! and Stylist. She specialises in comfort TV shows and movies, ranging from Hallmark's latest tearjerker to Netflix's Virgin River. She's also the person who wrote an obituary for George Cooper Sr. during Young Sheldon Season 7 and still can't watch the funeral episode.

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Key Takeaways

  • News, deals, reviews, guides and more on the newest computing gadgets

  • Start exploring exclusive deals, expert advice and more

  • Unlock and manage exclusive Techradar member rewards

  • Avatar Aang: The Last Airbender should be released in IMAX rather than on Paramount+ — the jaw-dropping animation is easily the best part of the hero's return

  • Sometimes, a wide theatrical release is the better option

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