The Brave and the Bold Writer Revealed: Why Batman Fans Are Worried [2025]

The Brave and the Bold Writer Revealed: Why Batman Fans Are Worried [2025]

There's nothing quite like the moment when a major studio announces who'll be writing your favorite character's next film. Sometimes it's exciting. Sometimes it's cause for celebration.

But sometimes? It's cause for immediate concern.

That's where we are with The Brave and the Bold, the highly anticipated Batman film set to launch as a cornerstone of the newly restructured DC Universe (DCU) under James Gunn's leadership. The project has been in development hell for years, shifting directions, losing directors, and generally existing in that foggy space between "definitely happening" and "probably not happening."

Now, finally, there's movement. A writer has been attached to the project. The problem? It's the same person behind The Flash, the box office catastrophe that somehow managed to lose money despite featuring two of Hollywood's biggest stars and a budget north of $200 million.

Let's dig into what this actually means, why fans are losing their minds, and whether there's reason to worry or whether this is actually the kind of left-turn thinking the DCU needs.

TL; DR

• The Writer Problem: The same screenwriter attached to The Flash has now been hired to write The Brave and the Bold
• The Flash Context: The 2023 film earned only
  $55 million against a$
  200+ million budget, making it one of the biggest theatrical losses in cinema history
• What Fans Are Saying: Batman enthusiasts are concerned this represents another misfire in DC's chaotic creative direction
• The Counterargument: One film doesn't define a writer's entire career, and The Flash's problems extended far beyond the screenplay
• What's Next: How the DCU's leadership responds to this casting will signal whether they're learning from past mistakes

Understanding The Flash's Catastrophic Failure

Before we panic about Batman, we need to understand exactly how badly The Flash failed and what role the screenplay actually played in that disaster.

The Flash hit theaters in June 2023 with every structural advantage Hollywood could provide. It had a $200+ million budget. It featured Ezra Miller, already an established Hollywood presence, in the title role. It featured Michael Keaton returning as Batman for the first time since 1992. It featured Ben Affleck as another version of Batman. The marketing was everywhere. DC and Warner Bros. threw everything at this film.

It earned approximately

Now here's the critical distinction: The Flash's screenplay wasn't the biggest problem. The screenplay, written by the now-controversial screenwriter attached to The Brave and the Bold, was actually functional. It had story. It had character arcs. The dialogue wasn't incompetent.

What killed The Flash was something more fundamental.

Production Chaos and Behind-the-Scenes Disaster

The Flash's production became infamous for chaos that went far beyond typical Hollywood drama. Director Rick Famuyiwa left the project, replaced by Andy Muschietti. Rewrites happened constantly. There were production delays. The film underwent extensive reshoots. By some accounts, it went significantly over budget during those reshoots.

But the biggest problem? Ezra Miller's real-world behavior became impossible to ignore. The actor faced multiple allegations of concerning conduct. There were videos. There were restraining orders. By the time the film premiered, Ezra Miller had become more famous for their off-screen drama than their on-screen performance.

No screenplay, no matter how brilliant, survives the lead actor becoming the center of a controversy that overshadows the actual film.

The Marketing Misfire

Even beyond the production chaos and the actor controversy, The Flash's marketing strategy backfired spectacularly. Warner Bros. leaned heavily into nostalgia, showing off Michael Keaton's return in nearly every trailer. The problem? That marketing worked too well. Audiences showed up expecting a Batman movie, not a Flash movie.

The film itself was 70% fan service and 30% actual Flash story. So audiences got a Flash film that felt like a Batman film that was barely about the Flash. That's a failure of creative direction, not screenplay.

The Flash's worldwide earnings were significantly lower than its production cost, highlighting its financial failure.

Who Is This Screenwriter, Really?

The writer attached to The Brave and the Bold is actually a competent professional with a diverse filmography. Yes, they wrote The Flash. But they've also written projects that worked. They've worked on major studio films. They have industry experience.

This is important context because internet discourse tends to reduce complex situations into simple narratives: "This person wrote a bad movie, therefore they always write bad movies." That's not how creativity or craftsmanship works.

Previous Work and Track Record

Looking at this screenwriter's broader body of work, there's evidence of competence. They've written projects with strong character work. They understand how to structure a story. They're not a newcomer who got lucky once.

The Flash represents a significant failure on their resume, obviously. But a single failure doesn't define a career. Many brilliant screenwriters have written films that failed commercially or critically. Sometimes external circumstances—production chaos, casting issues, directorial vision, studio interference—create disasters that aren't primarily the writer's fault.

This is where the Batman fan panic needs to pump the brakes slightly.

The Bigger Question: Is This Actually a Problem?

Here's the thing people keep missing: There's no guarantee the screenplay is the primary problem with any film, even when it turns out terrible.

James Gunn himself has taken on DC projects after directorial or creative missteps elsewhere. The industry understands that talent can be affected by circumstance. What matters is whether this particular writer learned something from The Flash experience and whether the production circumstances around The Brave and the Bold will be different.

James Gunn's involvement is rated as the most crucial factor for the success of 'The Brave and the Bold', given his track record and influence in the industry. Estimated data based on narrative insights.

The Brave and the Bold: What We Actually Know

Let's talk about what this Batman project is actually supposed to be and what that means for screenplay requirements.

The Brave and the Bold is positioned as the flagship Batman film of the new DC Universe under James Gunn's leadership. This isn't a side project. This is central to the entire strategy. It's meant to launch Batman into this new continuity with the kind of impact that sets the tone for everything else.

That's a lot of weight for a screenplay to carry.

James Gunn's Influence on Creative Direction

This is where things get interesting. James Gunn isn't known for hiring people randomly. He has a specific vision for the DCU. He's been involved in major creative decisions. If he signed off on this screenwriter, that means something.

Gunn tends to work with established talent. He tends to be hands-on. He's not the kind of director who lets a screenplay go out without significant input. If this writer is attached to The Brave and the Bold under Gunn's watch, Gunn presumably thinks they can deliver what Batman needs.

That doesn't guarantee success, obviously. But it's worth factoring into the equation.

Batman's Screenplay Needs

Batman films require a very specific kind of screenplay. They need to balance spectacle with character. They need to deliver the action and scale audiences expect. But they also need to make Batman himself compelling—to make a billionaire guy who dresses like a bat feel like the most important character in the story.

The screenplay for The Brave and the Bold needs to do something The Flash ultimately didn't: it needs to be clear about whose story we're following and what actually matters. The Flash couldn't decide if it was a multiverse story or a Flash origin story or a Batman nostalgia ride. That lack of clarity killed it narratively.

Batman Fan Concerns: Are They Valid?

Let's address the actual concerns Batman fans have about this choice, because they're not entirely baseless.

The Historical Pattern of DC Missteps

Batman fans have been through a lot. The DC Cinematic Universe threw some genuinely weird choices at audiences. Zack Snyder's aesthetic didn't work for everyone. The attempts to rush an expanded universe without proper foundation failed. The tone-deaf decisions—killing Superman too early, making Batman too violent—created a fanbase that's understandably cautious.

So when DC announces a new Batman film with someone who wrote a massive failure, fans immediately think: "Here we go again."

That instinct is based on experience. DC has made questionable creative choices before. It's not unreasonable to look at this announcement and feel nervous.

The Lack of Proven Batman-Writing Success

This particular screenwriter hasn't written a successful Batman film before. That's different from Michael Keaton's first Batman film, written by Sam Hamm, or Christopher Nolan's Batman Begins, written by Jonathan Nolan and David S. Goyer. Those writers had credentials going in. This writer is essentially getting a shot at Batman based on... existing in Hollywood and being available.

That's a valid reason for concern.

The Bigger Issue: Studio Confidence

Here's what really concerns fans: this writer choice suggests that maybe DC doesn't have a massive list of A-tier screenwriters competing to write the flagship Batman film. If they did, wouldn't they have gotten one of them? The fact that they're using someone who wrote a box office bomb suggests either desperation or a lack of other options.

That's not about this writer's competence. That's about what the hiring choice signals about the project itself.

Director stability and casting collaboration are estimated to have the highest impact on screenplay success, with budget constraints also playing a significant role. Estimated data.

How Production Context Can Make or Break a Screenplay

This is genuinely important: even brilliant screenplays can be destroyed by bad production circumstances. Even mediocre screenplays can be elevated by perfect execution.

The Brave and the Bold has to navigate several production contexts that will significantly affect how well any screenplay works.

Budget Constraints and Studio Expectations

DC used to have essentially unlimited budgets. The Flash was proof of that excess—$200+ million for a film that didn't need it. If the MCU proved anything, it's that you don't need infinite budgets to make Batman work.

If this project is operating under more reasonable budget constraints, that actually forces more creative screenplay discipline. It forces clarity. It prevents the kind of scope creep that killed The Flash.

Director Stability

The Flash had director changes. The Brave and the Bold needs to lock in its director and stay locked. Every time you change directors, screenplays get rewritten. Every rewrite introduces risk.

If DC can maintain creative consistency on this project—same director, same vision, the same screenplay priorities throughout production—the screenplay will work better regardless of who wrote it.

Casting and Actor Collaboration

The Flash's problems included the lead actor becoming the story. The Brave and the Bold needs to avoid that. It needs an actor who's committed, who'll show up, who won't create controversy that overshadows the film.

That's not the screenwriter's responsibility. But it dramatically affects how well the screenplay functions in the final film.

The Writer's Perspective: What They Might Bring to Batman

Let's try to approach this from a charitable angle. What does this screenwriter potentially bring to a Batman film?

Understanding Large-Scale Action Sequences

Regardless of The Flash's failures, the screenplay demonstrated familiarity with how to structure large-scale set pieces. Batman films need that. They need to deliver spectacular action that feels earned narratively. This writer has experience building toward those moments.

Character-Driven Storytelling

In The Flash, there were actually character moments that worked. The screenplay tried to give the lead character an emotional journey. That's fundamental to Batman films. Batman needs to be emotionally engaging, not just physically impressive.

If this writer can scale up their character work and focus it on Batman's psychology—his trauma, his methods, his cost—they could actually deliver something compelling.

Multiverse Storytelling Experience

The Flash was fundamentally a multiverse story. The Brave and the Bold probably won't be. But multiverse storytelling requires complex narrative structure. It requires juggling multiple timelines and versions of characters. That's actually relevant experience for complex storytelling in general.

Genre Understanding

This writer has worked in the superhero space. They understand superhero conventions. They understand what audiences expect from these films. That's not trivial. New writers to the superhero genre often struggle with pacing expectations, spectacle requirements, and fan engagement.

This writer won't have that learning curve.

The Flash significantly underperformed at the box office, earning only

What James Gunn Actually Means for This Project

We need to talk about James Gunn's involvement more directly because it's the most important context for understanding why this hire might actually work.

Gunn's Track Record with Flawed Properties

Gunn took Guardians of the Galaxy—a property no one cared about—and made it beloved. He took the Suicide Squad concept, which DC had already failed with once, and made it entertaining. He doesn't work with proven winners. He works with challenging material and finds the storytelling gold.

If Gunn thinks this screenwriter can work, that's significant information.

The Vision Alignment

Gunn has made it clear he wants the DCU to have a specific tone and approach. He's been explicit about what he wants thematically and tonally from these films. If he hired this writer, it means the writer bought into that vision.

That's crucial. The Flash's screenplay didn't know what it was tonally. It was confused about whether it was serious or fun, emotional or spectacular. If Gunn can provide clear creative direction—which he's known for doing—that solves a lot of the problems that plagued The Flash.

Hands-On Involvement

Gunn isn't hands-off. He's on set. He's in the editing room. He's involved in rewrites. That level of involvement means the screenplay will evolve during production, guided by someone with a clear vision.

That's not guaranteed to work. But it's very different from letting a screenplay go unchanged from draft to final cut.

The Critical Question: Can This Writer Learn?

This is the real question, and it's more important than whether this writer is "good" or "bad."

Every professional creates failed work at some point. What matters is whether they understand why it failed and whether they can adjust their approach.

Pattern Recognition in Failure

A writer who learns from The Flash's failure would understand several things: clarity matters more than complexity, emotional stakes matter more than plot complexity, and production chaos requires screenplay flexibility.

If this writer absorbed those lessons, they could bring a more focused, emotionally clear, flexible screenplay to Batman. That would be valuable.

Adaptability Under Pressure

The Flash's production involved constant rewrites and reshoots. If this writer can recognize that as a sign that they need to be more collaborative and flexible, they'll be better equipped for The Brave and the Bold.

Screenwriting is collaborative. The best screenwriters adapt to director feedback, actor needs, and production realities. They don't cling to their initial draft.

Investment in Success

This writer has significant motivation to make The Brave and the Bold work. Another major failure would be career-altering. That kind of motivation can actually improve your work. It forces you to be more careful, more thoughtful, more committed to getting it right.

Estimated data shows that past disappointments (35%) and the high stakes of Batman's character (30%) are the primary sources of anxiety among fans, followed by an information deficit (25%).

Comparing This to Other Batman Film Screenplays

Let's put this in historical context by looking at how other Batman films got their screenplays.

Tim Burton's Batman (1989)

Sam Hamm wrote the original screenplay for the 1989 Tim Burton Batman. Hamm was primarily known for TV work. He wasn't an established A-list screenwriter. But he delivered a screenplay that understood Batman's psychology and allowed Burton's visual vision to work.

The lesson: established screenwriter credentials aren't prerequisites for Batman success.

Christopher Nolan's Dark Knight Trilogy

Nolan worked with Jonathan Nolan, his brother, and David S. Goyer on Batman Begins. Those were established screenwriters. But they were also tailored to Nolan's specific vision. The screenplays they wrote worked because Nolan knew exactly what he wanted and the writers delivered it.

The lesson: director-writer alignment matters more than individual writer prestige.

The Failure Examples

Batman v Superman: Dawn of Justice was written by Chris Terrio and Joss Whedon (uncredited). Both experienced screenwriters. The screenplay was still confused about what story it wanted to tell. That wasn't a screenplay quality problem in the traditional sense. It was a creative vision problem.

The lesson: even great screenwriters fail when the creative direction isn't clear.

Matt Reeves' The Batman (2022)

Matt Reeves wrote The Batman with Peter Craig. Craig had experience in the Batman space, having worked on Craig's own Bond films and other projects. But the success came from Reeves' clear vision and the collaborative process they established.

The lesson: success comes from vision clarity and good collaboration, not just hiring famous writers.

The Broader DCU Context and Strategic Implications

This screenwriter hire doesn't exist in a vacuum. It exists within the context of James Gunn restructuring the entire DC Universe.

Breaking Away from Zack Snyder's Approach

For years, DC's cinematic strategy was dominated by Zack Snyder's sensibility: dark, grimdark, overly serious. That approach didn't work. Audiences rejected it. Critics panned it. Eventually, Warner Bros. rejected it too.

Gunn is explicitly moving away from that. He's hired screenwriters who understand tone, character, and humor. If this screenwriter is being brought into that vision, it suggests they're flexible enough to work in a less-grimdark Batman story.

That could actually be healthier for Batman than what came before.

Learning from MCU Success

The MCU proved that you can maintain consistent quality across multiple films and franchises. You do it through clear creative direction, consistent tonal choices, and character-driven storytelling.

Gunn worked in the MCU. He knows how that works. If he's applying those principles to the DCU, the screenwriter hire should reflect that strategic thinking.

The Importance of Getting Batman Right

Batman is the most important character in the new DCU. He's the anchor. If the Batman film fails, the entire DCU strategy fails. Warner Bros. understands that. Gunn understands that.

That means if they're making this hire, they believe—or at least hope—this writer can deliver what Batman requires.

Screenplay quality is just one of several factors influencing a film's success. Production management and creative direction also play significant roles. (Estimated data)

What Success Looks Like for This Screenplay

Let's define what actually constitutes success for The Brave and the Bold screenplay.

Clear Thematic Purpose

The screenplay needs to know what Batman represents in this new DCU. Is he the grounded anchor? The moral center? The ultimate problem solver? The screenplay needs to make that clear from page one.

The Flash didn't know what it represented in the DCEU. It was confused about whether it was a multiverse story or a character story. The Brave and the Bold can't have that problem.

Emotional Engagement

We need to care about Batman as a person, not just as a spectacle. The screenplay needs to ground us in his emotional reality, his stakes, his humanity.

That's the most important thing any Batman screenplay can do.

Spectacle That Earns Character

Batman films need action. They need scale. But that action needs to serve character development and emotional stakes. The screenplay needs to choreograph action sequences that reveal character, not just showcase visual effects.

Support for the Visual Medium

A great film screenplay understands that a lot of storytelling happens visually. The screenplay should leave space for a director to show, not tell. It should suggest visual possibilities without being prescriptive.

A screenplay that trusts visual storytelling is a screenplay that respects filmmaking as an art form.

The Fan Fear Factor: Understanding the Anxiety

Batman fans aren't irrational about their concerns. They're operating from experience. Let's validate that while also providing perspective.

The Pattern of Disappointment

DC has disappointed fans repeatedly. From the Snyder era's tonal confusion to the Ezra Miller casting disaster, fans have watched DC repeatedly make questionable creative choices. That creates reasonable caution.

When a new decision is announced—especially one that seems connected to previous failures—fans' skepticism is earned.

The Stakes of Getting Batman Wrong

Batman is arguably the most important character in DC Comics. He's the most culturally relevant. Getting his film wrong has real consequences for the entire franchise.

Fans care about Batman. They want this to work. That investment makes them anxious about creative decisions.

The Information Deficit

Fans don't know everything. We're working from press releases and reports. We don't know what James Gunn sees in this writer. We don't know what conversations happened behind the scenes.

That information gap creates fear. "What do they know that we don't?" becomes the underlying anxiety.

What Needs to Happen for This to Work

This screenwriter choice doesn't guarantee success. But success is possible if several things happen.

Clear Creative Direction from Gunn

Gunn needs to be hands-on. He needs to provide unmistakable creative direction. He needs to make sure this screenwriter understands the vision for Batman in the new DCU.

If Gunn is present and leading, that dramatically improves the screenplay's chances.

Collaborative Development Process

The screenplay needs to be developed collaboratively. Rewritten based on feedback from Gunn, the director, the actors, and producers who understand Batman.

The first draft is never the best draft. The process of refinement matters.

Strong Director Attachment

Once the screenplay is done, it needs a director who understands Batman and who has a strong creative vision. That director needs to work with the writer on adaptations during production.

The director is the final arbiter of what makes it to screen. The screenplay needs to be in the hands of someone who understands filmmaking and character.

Production Stability

The production needs to stay on track. No constant director changes. No massive reshoots that force screenplay rewrites. No lead actor drama that becomes the story.

Production stability allows screenplay choices to be executed properly.

Test Audience Feedback

When The Brave and the Bold reaches test screening phases, that feedback needs to be taken seriously. If audiences are confused about the story or unengaged with Batman, the screenplay needs to be adjusted.

Great filmmakers are willing to adjust based on what actually works.

The Optimistic Read: Why This Could Actually Work

Let's close the analysis by considering the genuinely positive reading of this hire.

Experience with Failure

This writer has experienced a high-profile failure. That's actually valuable. They now understand what doesn't work at scale. They know the stakes. They know how much is at risk.

That knowledge can improve their work.

Multiverse Narrative Complexity

If Batman needs complex narrative handling—if there are multiverse elements or multiple storylines—this writer has direct experience with that challenge.

They know how to juggle multiple versions of characters and timelines.

Character Work Capability

Despite The Flash's failures, the screenplay included moments of genuine character work. This writer can write character. They can create emotional arcs. That's the core skill Batman needs.

Collaborative Mindset

A writer who has experienced a catastrophic failure and is now getting another major studio opportunity is probably in a collaborative mindset. They're probably willing to take feedback. They're probably thinking about how to make this work, not how to protect their ego.

That collaborative spirit improves screenplays.

James Gunn's Confidence

If James Gunn—a talented director with a proven track record—believes this writer can deliver, that's worth something. Gunn knows screenwriting. Gunn knows filmmaking. Gunn wouldn't hire someone he didn't think could work.

Gunn's confidence suggests this writer has something to offer.

Looking Forward: What's Next for the DCU Batman Story

The Brave and the Bold is just the beginning of this writer's involvement with the DCU Batman story. How this unfolds will tell us whether this hire was brilliant or a mistake.

The Development Process

Over the next months, we'll see screenplay drafts. We'll see rewrites. We'll see how seriously Gunn takes the material. We'll learn whether this collaborative process is working.

If the screenplay evolves and improves, that's a good sign. If it stays static, that's concerning.

Director Attachment

Who directs The Brave and the Bold matters as much as who writes it. The director will shape how the screenplay is interpreted. The right director makes even a flawed screenplay work. The wrong director makes a great screenplay fail.

Pay attention to the director announcement.

Casting Implications

Who plays Batman will influence how the screenplay is adapted. A actor like Robert Pattinson brings different energy than someone else. The screenplay might need adjustment based on the actor's strengths.

Casting is screenplay interpretation.

Production Reality

When the film actually starts shooting, we'll see whether the production is stable. We'll see whether the screenplay survives production or gets mangled by chaos.

Production stability tells you everything about whether a screenplay will work.

FAQ

What is The Brave and the Bold and why is it important?

The Brave and the Bold is a flagship Batman film in James Gunn's new DC Universe. It's positioned as a cornerstone project that will set the tone for how Batman functions in this new continuity. The film is meant to reestablish Batman as a central character after the problematic Zack Snyder era, making this project critically important to the entire DCU's success and credibility.

Who wrote The Brave and the Bold and why are fans concerned?

The screenplay was written by the same screenwriter behind The Flash, which earned only

Is one bad film enough to disqualify a screenwriter from working on Batman?

Not necessarily. Many brilliant screenwriters have written films that failed commercially or critically due to circumstances beyond their control. What matters more is whether the writer learned from that experience, whether they can collaborate effectively with a strong director like James Gunn, and whether the production circumstances for The Brave and the Bold are fundamentally different from The Flash's chaotic development. One failure doesn't define a career.

How important is James Gunn's involvement in making this work?

Gunn's involvement is extremely important. Gunn has a proven track record of taking challenging properties and making them successful. He's hands-on with screenplays, maintains clear creative vision, and has the industry credibility to push back on studio interference. If Gunn is actively guiding this screenplay and directing the film, that dramatically increases the chances of success regardless of the writer's past failures.

What makes a good Batman screenplay different from other superhero screenplays?

A good Batman screenplay needs to balance spectacle with character psychology. It needs to make Batman compelling as a person, not just as a visual spectacle. It needs clear thematic purpose and emotional stakes. It needs to trust visual storytelling. And it needs to understand Batman's unique position as a billionaire without superpowers who operates through intellect and determination. These elements distinguish Batman screenplays from other superhero narratives.

Should Batman fans worry about this hiring choice?

Moderate caution is reasonable but panic isn't warranted. Batman fans have legitimate reasons to be cautious based on DC's past missteps, and The Flash's failure is a valid reason for concern. However, this hire exists within the context of James Gunn's leadership, which signals a fundamental shift in creative direction. If Gunn believes this writer can work, and if the production circumstances are different from The Flash's chaos, there are genuine reasons to maintain some optimism while staying reasonably skeptical.

How does this compare to other Batman films' screenwriting processes?

Batman films have succeeded with writers from various backgrounds. Tim Burton's Batman came from a writer with primarily television experience. Christopher Nolan's Dark Knight trilogy succeeded through strong director-writer collaboration. Matt Reeves' 2022 Batman worked through clear creative vision and the right director. What matters most is creative clarity, strong collaboration, and production stability rather than the screenwriter's individual prestige or track record.

What would constitute success for this screenplay?

Success would mean delivering a screenplay with clear thematic purpose, genuine emotional engagement with Batman as a character, action sequences that serve the story rather than existing for spectacle alone, and visual storytelling that trusts the director to interpret the material cinematically. The screenplay needs to know what Batman represents in the new DCU and needs to support Gunn's creative vision while allowing room for directorial interpretation and actor collaboration.

The Bottom Line on Batman's Screenplay Future

The Brave and the Bold's screenplay hire is controversial for legitimate reasons. A writer whose most recent major film was a spectacular failure is now taking on one of DC's most important projects. That's anxiety-inducing.

But context matters. The Flash's problems extended far beyond screenplay quality. Production chaos, casting disasters, and confused creative direction created that catastrophe. A screenplay alone doesn't sink a $200 million film.

This particular writer has experience with complex narratives, large-scale action sequences, and character work. They're operating under James Gunn's guidance, which means clear creative direction and hands-on involvement. The production will presumably have learned from The Flash's mistakes, avoiding the chaos that plagued that film.

Will this work? Nobody knows. Great screenplays fail all the time. Bad screenplays succeed with the right execution. The truth is somewhere in the middle, dependent on factors we can't fully predict.

But here's what we can say with confidence: Batman fans' skepticism is earned. Their history with DC justifies caution. However, dismissing this writer entirely based on one failed film—especially when external circumstances played a massive role in that failure—is unfair.

The real test comes when we see the screenplay itself. When we know the director. When production begins. That's when we'll actually know whether this hire works.

Until then, cautious optimism seems appropriate. Batman deserves better than The Flash disaster. This writer is motivated to prove they can deliver better. Gunn is positioned to guide that delivery.

The skepticism is valid. But so is the possibility that this actually works.

We'll find out together.

Key Takeaways

• The Brave and the Bold's screenwriter also wrote The Flash, which earned only
  $55 million against a$
  200+ million budget, making it one of Hollywood's biggest financial disasters
• The Flash's failure extended far beyond screenplay quality—production chaos, casting issues, and confused creative direction were primary culprits
• James Gunn's hands-on leadership, proven track record, and clear creative vision significantly improve the chances this screenwriter can deliver on Batman
• Historical context shows that established screenwriter credentials matter less than creative clarity, director collaboration, and production stability for Batman films
• Fan skepticism is earned based on DC's past missteps, but dismissing this hire entirely ignores the external circumstances that destroyed The Flash

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