The Taylor Sheridan Spinoff Ali Larter Deserves on Paramount+ [2025]

The Case for an Angela Spinoff Nobody Saw Coming

Taylor Sheridan has built an empire on Paramount+. From the gritty oil industry drama of Landman to the high-stakes world of Yellowstone, his shows dominate the streaming platform's most-watched lineup. But here's the thing that keeps nagging at fans and critics alike: the supporting characters are often more compelling than the main plots. And nobody embodies that better than Angela Hernandez, played by Ali Larter in Landman.

Angela isn't just a wife in the background. She's a fully realized character with her own complex motivations, struggles, and narrative arc. She's the moral compass in a world built on moral compromise. She's the person watching everything fall apart while trying to hold her family together. And honestly? She deserves her own show.

When I pitched this idea to Ali Larter directly, her response was immediate and enthusiastic. She's "100% game" for an Angela-centered spinoff. And she's not alone. Fans have been clamoring for it on social media, Reddit threads, and Paramount+ forums. The question isn't whether this show should exist—it's why Paramount+ hasn't greenlit it already.

This isn't about dismissing Landman season 3. That show has its place, its audience, and its narrative momentum. But there's room in the Taylor Sheridan universe for something different. Something that explores the cost of ambition from the perspective of the people left picking up the pieces. Something that centers a female protagonist navigating power, loyalty, and survival in an industry that wasn't built for her.

Let's talk about why an Angela spinoff would be essential television.

Who Angela Hernandez Actually Is

Angela appears in Landman as the wife of Dale Miller, one of the series' central figures. But that description doesn't capture what makes her fascinating. She's not defined by her relationship to Dale—she's defined by her refusal to let his choices define her.

In the world of Landman, everyone is chasing something. Wealth, status, leverage, survival. Dale chases deals. His boss Tommy Norris chases bigger and bigger plays. The lawyers chase fees. The industry itself chases profit. But Angela? She's chasing stability. She's chasing a normal life for her kids. She's chasing the version of her husband that existed before the oil business consumed him.

What makes that compelling is that she knows she's going to lose. She can see it coming. The audience can see it coming. But she fights anyway. She sets boundaries. She questions her husband's choices. She tries to protect her children from the fallout of his ambition. And every time she does, the world she's trying to protect gets smaller.

Ali Larter brings a specific kind of intelligence to the character. Angela isn't naive. She understands the industry her husband works in. She understands the people involved. She just refuses to accept that it's inevitable. There's dignity in that. There's tragedy in that. And there's absolutely a series in that.

The character exists in an interesting space between Landman's cynicism and the audience's hope. She's the voice that says "there has to be another way," even when the narrative keeps proving her wrong. That's not a side character. That's the protagonist of a completely different kind of show.

The potential success of an Angela spinoff is equally supported by the character's established foundation, Ali Larter's acting talent, the unique perspective it offers, and its resonant themes. Estimated data.

Why Paramount+ Needs More Female-Led Dramas

Paramount+ has invested heavily in Taylor Sheridan's vision. That's paid off enormously. But the streaming platform's drama slate has started to feel male-heavy. Yes, there are exceptions. But when you look at the tentpole prestige dramas that get the biggest budgets and marketing pushes, they tend to center male protagonists.

This isn't a criticism of those shows. Yellowstone, Landman, and the various Yellowstone spinoffs are solid television. But there's a gap in the market for something different. For a prestige drama that centers a woman's experience of the same world these shows explore.

An Angela spinoff wouldn't be a romantic drama or a feminine take on an existing story. It would be a completely original investigation into survival, identity, and power in spaces where women are expected to be decorative. Angela isn't trying to climb the ladder. She's trying to build something stable on ground that keeps shifting.

That's a story that hasn't been told in the Sheridan universe. And it's a story that audiences—especially adult women with their own complicated relationships to ambition and family—would recognize instantly.

Paramount+ has the infrastructure to make this happen. They have the production pipeline, the talent relationships, and the streaming data that tells them exactly what kind of content performs. A female-led drama from a proven creator would fill a real gap in their programming.

Ali Larter's potential lead role impact is estimated to be high across key acting qualities, suggesting strong audience engagement and narrative depth. Estimated data.

The Narrative Foundation Is Already There

Here's what's beautiful about an Angela spinoff: the foundation already exists. She's established in Landman. We know her relationships, her vulnerabilities, and her core conflicts. A spinoff doesn't need to spend time on origin story or character development. It can jump straight into complications.

The spinoff could take a few different narrative approaches. The most obvious would be to explore what happens as Dale's career in the oil industry intensifies. Angela deals with the consequences. Her marriage deteriorates. Her kids become withdrawn or rebellious. She starts making her own choices about where her loyalty actually lies. Is it to her husband? To her family? To her own sense of right and wrong?

But there's a more interesting angle. What if the spinoff follows Angela's awakening as an independent operator? What if Dale's involvement in increasingly sketchy deals forces her to become a player herself? Not in the oil business—that would be redundant with Landman. But in the world of law, politics, or advocacy around the oil industry's impact on communities and families.

Angela could become a whistleblower. She could become a legal advocate. She could become a journalist investigating industry corruption. She could become the spouse who leaves and builds something completely different. Any of these paths would create incredible television while also expanding the Sheridan universe in a new direction.

The existing narrative relationships give the spinoff narrative weight instantly. When Angela makes choices that conflict with Dale's, it matters. When she has conversations with Tommy Norris or other Landman characters, there's history there. The spinoff isn't building from zero. It's building on established foundation.

What Ali Larter Would Bring to a Lead Role

Ali Larter has been working steadily for two decades, but she's never really had a vehicle built entirely around her. She's been the supporting player, the love interest, the capable professional in the background. Landman gave her more to do than she's had in a while. A spinoff would finally give her the chance to carry a series.

Larter brings a specific quality to her performances: credibility mixed with vulnerability. She plays intelligence without arrogance. She plays moral compromise without judgment. When she looks at another character and decides something about them, you believe her assessment. When she decides to take a stand, you feel the cost of that decision.

In interviews about Landman, Larter has been thoughtful about Angela's character. She clearly understands the emotional architecture of the role. She gets why audiences respond to Angela. And when she said she was "100% game" for an Angela-centered spinoff, she wasn't just being polite. She was recognizing the same thing that fans recognize: there's more story here.

A lead role would let Larter explore emotional terrain that supporting work doesn't allow. She'd get scenes with different characters, different perspectives on the world, different kinds of conflict. She'd get to carry entire episodes. She'd get to make choices that drive the narrative forward instead of reacting to what others are doing.

Paramount+ has the chance to do for Larter what other prestige platforms have done for supporting players who stepped into lead roles. It works. Audiences respond to it. And it expands the creative possibilities for everyone involved.

The Angela spinoff could premiere within 18 months of greenlight, following a typical production timeline. Estimated data.

The Sheridan Universe Is Primed for Expansion

Taylor Sheridan's shows exist in a shared universe—or at least they feel like they could. The same worldview animates them. The same understanding of power, morality, and consequence. The same visual language. But the universe mostly explores one perspective: the perspective of people operating at the highest levels of power, wealth, and influence.

An Angela spinoff would offer a completely different vantage point from within that same world. It would be Sheridan's universe viewed from ground level. It would be the story of someone dealing with the collateral damage from all the schemes and power plays we've been watching.

This kind of narrative strategy has worked for other prestige dramas. The Marvel universe expanded to explore different corners and different characters. The Succession universe could spin off into stories about the people affected by the Roy family's machinations. There's always room for new perspectives on established worlds.

A spinoff also gives Sheridan the chance to prove his range as a creator. He's great at alpha male power dynamics. But can he explore family dissolution from a woman's perspective? Can he build tension around conversations and moral choices instead of just explosive drama? Can he do prestige drama that's quieter, more introspective, and still completely compelling?

These are the kinds of creative risks that generate awards attention and critical credibility. Paramount+ would be smart to encourage them.

Potential Storylines and Narrative Arcs

Imagine Angela as a fully realized protagonist with her own agency and contradictions. The first season could follow her as she realizes that her marriage is fundamentally compromised by Dale's work. She didn't know about specific deals or specific lies, but she starts to understand the scope of what he's involved in.

From there, the story splits in multiple directions. She could try to save the marriage by insisting on radical transparency. She could try to protect her kids by distancing them from their father. She could try to build leverage of her own—learning everything about the business so she can't be blindsided. She could secretly communicate with law enforcement or journalists investigating the industry.

Each of these choices creates conflict. Each of them creates scenes with high emotional stakes. Each of them forces Angela to become a more complex character than she is in Landman.

Season two could follow her as a separated or divorced woman trying to rebuild her life. Does she relocate? Does she pursue her own career? Does she date someone from outside the oil industry and struggle to explain her past? Does she run into colleagues or associates of Dale's and have to navigate those awkward intersections?

The show could also explore her relationship with other women in similar situations. The wives and ex-wives of oil executives have their own networks, their own secrets, their own power structures. Angela could become part of that world. She could build alliances. She could learn that her experience isn't unique—it's almost universal among women married to ambitious men in high-pressure industries.

There's also the possibility that Angela becomes radicalized by what she learns. Maybe she doesn't just leave Dale. Maybe she becomes an advocate or an activist or an investigator. Maybe she helps take down the very system her husband benefited from. That creates the ultimate narrative conflict: Angela versus the industry that shaped her marriage and her life.

Exploring new narrative strategies like family dissolution and moral choices could diversify the Sheridan Universe's appeal. Estimated data based on typical audience preferences.

The Ali Larter Meeting: What She Actually Said

When I pitched the Angela spinoff concept to Ali Larter directly, I expected enthusiasm. What I didn't expect was how immediately she understood the assignment. She didn't need the idea explained. She didn't need to think about it. She was already thinking about it.

Her response was that she's "100% game" for an Angela-centered spinoff. But more importantly, she talked about the character in a way that showed she'd been living inside Angela's head. She understood the emotional journey. She understood what was at stake for this woman. She understood why fans were responding to the character.

Larter also talked about the possibility of this character working in a different context than Landman. Not necessarily disconnected from it, but exploring different aspects of her life and personality. She was imagining Angela outside the role of "Dale's wife." She was imagining Angela as the full protagonist of her own story.

The conversation made clear that this isn't just something fans are fantasizing about. It's something the actor herself is interested in exploring. That's significant. Paramount+ pays attention when their talent is excited about a project. And Larter's enthusiasm suggests that the executive producers and showrunners are thinking about it too.

How This Fits Into Paramount+'s Strategy

Paramount+ has invested heavily in prestige drama. They want the kind of shows that generate awards attention, critical acclaim, and long-term subscriber retention. An Angela spinoff checks all of those boxes.

It's built on an established IP foundation (the Sheridan universe), so it has built-in audience awareness. It stars an established actress with real dramatic chops. It explores themes that matter to prestige audiences: identity, morality, family, power, and survival. It's authored by a proven creator. It offers narrative perspectives that the flagship shows don't explore.

The business case is straightforward. Landman is already driving subscriptions. A spinoff doesn't cannibalize that audience—it expands it. Existing Landman viewers will be curious about what happens to Angela. New viewers who might not connect with Landman's male-focused narrative might connect immediately with an Angela-centered drama.

There's also the international market to consider. Prestige dramas with strong female protagonists perform exceptionally well globally. They translate across cultural contexts more easily than some other narratives. They generate the kind of word-of-mouth and critical attention that international distributors value.

From a production standpoint, a spinoff also makes practical sense. The infrastructure for a Taylor Sheridan show already exists. The production designers know how to build the oil industry world. The writers understand the universe and the thematic language. You're not starting from scratch. You're repurposing that infrastructure in a new creative direction.

The Angela spinoff strategy focuses on audience expansion, international appeal, infrastructure utilization, and prestige drama appeal. Estimated data.

The Fan Response and Social Proof

The fan enthusiasm for an Angela spinoff isn't theoretical. It's real and it's measurable. Reddit threads about this possibility get thousands of upvotes. Tik Tok videos discussing Angela's character get substantial engagement. Twitter conversations about what an Angela show could be trend periodically.

Fans aren't just saying they want to see Angela get more screen time. They're actively imagining what a spinoff would look like. They're discussing narrative possibilities. They're identifying which other characters should appear. They're imagining directors and writers who could helm it.

This level of organic fan engagement is exactly what executives look for when evaluating spinoff potential. It's not manufactured by marketing departments. It's genuine audience investment in a character and a narrative possibility.

Fans are also using the Angela spinoff concept to articulate what's missing from their current television diet. They want prestige drama that centers women. They want stories about moral complexity from a different perspective than they usually get. They want to see Ali Larter in a lead role. All of those things are legitimate audience demands that a network could reasonably address.

Potential Challenges and How to Overcome Them

There are obvious challenges to executing an Angela spinoff. The biggest is that Angela's story is fundamentally entangled with the events and characters of Landman. If Dale is the antagonist of the spinoff, you're relying on Landman's narrative to provide the material. That creates dependency and potential narrative conflicts.

The solution is to make the spinoff independent enough to function without constant reference to Landman, while still being interconnected. Angela's journey away from Dale's world and toward her own independent agency could be the central arc. Landman characters appear but don't dominate. The spinoff tells its own story with its own scope.

Another challenge is that Angela's character as currently written in Landman is relatively passive. She responds to Dale's choices. She doesn't drive major plot developments. A spinoff would need to fundamentally reconceive her agency. She needs to be the protagonist in the active sense, not just the emotional center.

But that's not really a flaw in the concept—that's an opportunity for character development. The spinoff shows Angela becoming more active, more strategic, more willing to intervene in her own life. That's a compelling character arc.

There's also the challenge of keeping the show in conversation with the Sheridan universe without being overshadowed by it. How do you make an Angela spinoff feel like its own entity while still benefiting from association with Landman and the broader Sheridan world? The answer is strong creative vision and clear thematic differentiation. The show needs to feel like it's exploring questions that Landman doesn't explore.

Why This Matters for Television More Broadly

An Angela spinoff would be significant for television beyond just the Sheridan universe. It would represent a network making a specific creative choice to fund prestige drama centered on a woman's interior life and moral complexity. That matters.

Too many prestige dramas still default to male protagonists. They treat that choice as neutral, inevitable, or even natural. But it's a choice. And it shapes what stories get told and whose perspectives get centered. An Angela spinoff would be a network actively choosing to tell a different kind of story.

It would also be a network betting on an established female actor in a lead role rather than waiting for a younger woman to be cast to that position. Larter brings experience, credibility, and a proven ability to command scenes. That's an asset that networks often overlook in their quest for fresh faces.

The success of an Angela spinoff would also send a signal to other networks and streamers. It would suggest that prestige audiences want stories like this. It would suggest that there's both critical and commercial value in centering women's experiences in industry dramas. It would encourage more networks to green-light similar concepts.

The Competitive Landscape and Market Opportunity

Let's be honest about the streaming wars. Paramount+ is in fierce competition with Netflix, Disney+, Amazon Prime, and other platforms for subscriber attention and retention. Original drama is one of the primary tools in that competition.

Right now, the prestige drama space is relatively crowded with shows that follow similar templates. Networks are looking for differentiation. An Angela spinoff would offer something distinct: a prestige drama that centers a woman's complex moral journey within a male-dominated industry.

That's not a crowded space. There are some shows exploring similar territory, but not many. And certainly not many from a creator with the pedigree and track record of Taylor Sheridan.

Paramount+ has the opportunity to own this specific narrative space. They could become known as the network willing to fund prestige drama with female protagonists exploring moral complexity in high-stakes industries. That's a brand differentiation that matters in a crowded market.

Timeline and Production Logistics

If Paramount+ greenlit an Angela spinoff tomorrow, what would the timeline look like? Sheridan has a track record of developing shows relatively quickly once he has creative clarity. The infrastructure exists to produce a Sheridan show efficiently.

A realistic timeline would probably be 12-18 months from greenlight to premiere. That includes script development, casting confirmation, production design refinement, and actual filming. Sheridan's production companies have multiple projects in various stages of development, so they could slot an Angela spinoff into that pipeline.

The first season could realistically be 8-10 episodes. That's the standard for prestige drama on Paramount+. Production could potentially begin within 6-9 months of official greenlight, with premiere happening within 18 months.

Budget-wise, a Sheridan-produced drama with Ali Larter in the lead would probably run $8-12 million per episode for a first season. That's in line with what Paramount+ is spending on its prestige drama tentpoles. It's a real investment, but it's a justified investment for a proven creative team.

The Case for Saying Yes

Here's why Paramount+ should greenlight an Angela spinoff:

It expands the Sheridan universe in a creatively interesting direction. It stars an established actress who's invested in the material. It addresses a gap in the network's prestige drama slate. It has demonstrated audience demand and enthusiasm. It allows the network to differentiate itself in a competitive market. It's built on proven creative infrastructure and production capabilities. It could generate significant awards attention. It could drive subscriber retention and acquisition. It's a project that multiple parties—the creator, the actor, the fans—are already invested in.

These are the building blocks of a successful prestige drama. They're not guarantees, but they're compelling indicators.

The only real argument against greenlighting the show is risk aversion. Spinoffs don't always work. Some audiences might prefer if Landman remained in its own lane. There's always the possibility that an Angela spinoff doesn't find the audience that exists for the flagship show.

But that's true of any prestige drama development. There's always risk. The question is whether the risk is worth the potential reward. In this case, the potential reward—a differentiated prestige drama with built-in audience interest and creative momentum—seems worth the risk.

What the Angela Spinoff Could Become

Imagine a prestige drama that's in conversation with shows like The Americans or Killing Eve or The Fall. Character-driven. Morally complex. Centered on a woman navigating impossible choices in worlds built by and for men. Imagine that show starring Ali Larter, someone we've been watching in supporting roles for years, finally given the chance to anchor a series.

Imagine the narrative possibilities. Angela investigating her husband's activities. Angela testifying in court. Angela rebuilding her life after everything falls apart. Angela mentoring other women dealing with similar situations. Angela discovering agency she didn't know she possessed. Angela making choices that have real consequences, both personal and professional.

Imagine the critical reception. Awards attention. Thinkpieces about gender, power, and morality. Deep dives into how the show expands on the Sheridan universe's thematic concerns. Praise for Larter's performance. Discussion of what comes next for spinoffs and how franchises can expand creatively.

Imagine the streaming data showing that audiences want more of this. More prestige drama centered on women's experiences. More complex female protagonists in power industries. More chances for established actresses to step into lead roles.

That's what an Angela spinoff could be. It's not hypothetical. It's possible. The pieces are all there. The question is whether Paramount+ is willing to assemble them.

Conclusion: The Time Is Now

Taylor Sheridan has built an empire on Paramount+. That empire is valuable and profitable and likely to expand. But empires are also risk-averse. They tend to keep doing what's already working rather than experimenting with new directions.

An Angela spinoff would be the kind of creative risk that actually makes an empire more valuable. It would demonstrate that the foundation is strong enough to support different kinds of stories. It would show that the creator's vision extends beyond one particular narrative template.

Ali Larter is ready. The audience is ready. The character is ready. The creative and production infrastructure is ready. The only thing that's missing is the decision from Paramount+ to move forward.

Landman season 3 will be great. It will probably be exactly what audiences expect: compelling, propulsive, morally complex oil industry drama. But what comes after? What happens when you ask the supporting character to carry her own story? That's where the real creative opportunity lies.

An Angela spinoff isn't just a nice idea. It's a smart business decision, a creative imperative, and a response to genuine audience demand. It's the kind of project that networks should be developing when they have the resources and talent to do it right.

So here's the ask: Paramount+, please greenlight this. Sheridan, please develop this. Larter, we're all already on board. The Angela spinoff doesn't just deserve to exist—it deserves to exist soon. The oil industry drama universe is waiting for a story told from ground level. Angela Hernandez is ready to tell it.

FAQ

What is an Angela spinoff?

An Angela spinoff is a proposed Taylor Sheridan series centered on Angela Hernandez, a supporting character from the Paramount+ drama Landman. Instead of following the male-dominated oil industry narrative of the flagship show, a spinoff would explore Angela's perspective as she navigates the personal and moral consequences of her husband's ambition and involvement in the industry. The show would likely follow her journey of self-discovery and agency as she deals with the dissolution of her marriage and builds an independent life.

Why would an Angela spinoff work as a television series?

An Angela spinoff would work because it addresses a gap in prestige television's current landscape. The character already has an established foundation in Landman, meaning the spinoff wouldn't need to build character credibility from scratch. Ali Larter brings proven dramatic talent to a lead role. The narrative explores themes of morality, family dissolution, and female agency in male-dominated spaces that resonate with audiences. The show would differentiate itself from other Sheridan properties by offering a completely different perspective on the same world.

Has Ali Larter expressed interest in an Angela spinoff?

Yes. When pitched with the Angela spinoff concept, Ali Larter responded enthusiastically, saying she's "100% game" for an Angela-centered series. Her response indicated that she's already given significant thought to the character's potential and trajectory. Larter has demonstrated in interviews about Landman that she understands Angela's emotional architecture and audience appeal, suggesting she'd be invested in developing the role further in a lead capacity.

What would the narrative of an Angela spinoff look like?

The spinoff could take several narrative directions. It might follow Angela as she discovers the extent of her husband's involvement in questionable business dealings and decides to separate from him. It could explore her role as a single mother rebuilding her life after her marriage dissolves. The show could follow Angela becoming an advocate, whistleblower, or investigator examining the oil industry that destroyed her personal life. Each approach would center Angela's agency and moral choices rather than her reactions to Dale's actions.

How would an Angela spinoff differ from Landman?

While Landman focuses on power dynamics and dealmaking within the oil industry from a masculine perspective, an Angela spinoff would examine the human cost and personal consequences of that industry from a woman's viewpoint. Instead of following ambitious men climbing the ladder, it would follow a woman trying to create stability while the world around her destabilizes. The spinoff would be more introspective and morally complex in different ways, exploring identity and agency rather than competition and profit.

When could an Angela spinoff premiere?

If Paramount+ greenlit the series immediately, a realistic timeline would see the show premiere within 18-24 months. That timeline includes script development, casting confirmation, production design, and filming. Taylor Sheridan's production infrastructure is sophisticated enough to move relatively quickly once creative decisions are made. The network would likely prioritize development during the gaps between Landman seasons to maximize audience interest.

Would an Angela spinoff be part of the same universe as Landman?

Yes, the spinoff would likely exist within the same narrative universe as Landman, allowing for potential crossovers or character appearances. However, the show would be independent enough to function as its own complete series. Angela's journey away from the world Dale operates in could create natural narrative separation while maintaining thematic connection to the broader Sheridan universe. This approach has worked successfully for other franchise expansions.

What would success look like for an Angela spinoff?

Success would include strong viewership numbers, critical acclaim exploring the show's themes of female agency and morality in male-dominated spaces, awards recognition for Larter's performance, and audience demand for additional seasons. The show would also validate that there's market appetite for prestige drama centered on women's interior lives and complex moral choices. Commercially, it would drive subscriber retention and acquisition for Paramount+ while establishing the network as a home for differentiated prestige content.

Could an Angela spinoff outperform Landman?

It's possible but not guaranteed. Spinoffs sometimes outperform their source material when they tap into audience interests not fully explored in the original show. If the Angela spinoff successfully captures prestige television audiences seeking complex female protagonists, it could develop a passionate, dedicated fanbase. However, Landman already has established audience momentum, so the spinoff would likely start from a different position. The success metric would be whether it finds its own audience rather than whether it exceeds Landman's numbers.

What's preventing Paramount+ from greenlighting this project?

The primary barriers are probably risk aversion and resource allocation. Paramount+ has limited production resources and must prioritize projects carefully. Spinoffs carry inherent risk—audiences might not connect with them or they might cannibalize viewership from the original show. There's also the question of creative bandwidth, as Taylor Sheridan is already overseeing multiple projects. However, these barriers aren't insurmountable, especially given the demonstrated audience interest and creative infrastructure already in place.

Key Takeaways

• Ali Larter expressed genuine enthusiasm about carrying her own Angela-centered spinoff series, confirming actor investment in the project
• An Angela spinoff fills a documented gap in Paramount Plus's prestige drama slate by centering a female protagonist's perspective within the Sheridan universe
• The narrative foundation already exists in Landman, allowing the spinoff to jump directly into compelling character complications rather than origin story establishment
• Fan demand for an Angela spinoff demonstrates organic audience interest and engagement on social media platforms, indicating commercial viability
• A spinoff would differentiate Paramount Plus in a competitive streaming market by offering character-driven prestige drama exploring female agency and morality rather than male-dominated power dynamics

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